The Bee Gees Almost Gave Away “How Deep Is Your Love” — Then One Man Stopped Them
In 1977, the Bee Gees were sitting on a song beautiful enough to become one of the defining recordings of their career.
And for a moment, they considered letting someone else sing it.
Barry, Robin and Maurice Gibb were working in France during the period that produced several songs eventually connected with Saturday Night Fever.
Among them was a gentle ballad built around a warm keyboard progression.
“How Deep Is Your Love.”
It sounded very different from the songs that would soon make the Bee Gees kings of the disco era.
There was no pounding dance beat.
No urgency of “Stayin’ Alive.”
Instead, the song moved slowly, carried by Barry Gibb’s soft lead vocal and the extraordinary harmonies the three brothers had spent a lifetime developing together.
But the Bee Gees had never been afraid to give great songs to other singers.
And there was discussion about having Yvonne Elliman record “How Deep Is Your Love.”
Elliman already had a powerful voice and was connected to the same musical circle through manager and producer Robert Stigwood.
Then Stigwood heard the song.
According to Barry Gibb, his reaction was essentially immediate:
The Bee Gees should keep it.
He believed the song was simply too good for them to give away.
So Barry, Robin and Maurice recorded it themselves.
The early version took shape in France, while the finished recording was developed further at Criteria Studios in Miami. Keyboard player Blue Weaver helped shape the electric piano sound that became one of the recording’s most recognizable features.
But the real magic came from the voices.
Barry sang the lead while Robin and Maurice surrounded him with harmonies so smooth that the three voices often seemed to become a single instrument.
Released in 1977, “How Deep Is Your Love” reached No. 1 on the Billboard Hot 100 and stayed there for three weeks.
Even more remarkably, it became the beginning of an extraordinary run of consecutive American No. 1 singles for the Bee Gees.
And Yvonne Elliman?
She did not leave the Saturday Night Fever story empty-handed.
The Bee Gees gave her another song they had written, “If I Can’t Have You.”
Her recording also reached No. 1.
So one songwriting period produced two chart-topping hits — one the Bee Gees kept, and one they gave away.
Decades later, it is difficult to imagine “How Deep Is Your Love” belonging to anyone other than Barry, Robin and Maurice.
Perhaps Robert Stigwood understood something the brothers themselves had not fully realized yet.
They had not simply written another good song.
They had written one that needed their voices.
And sometimes the difference between giving away a hit and creating a classic comes down to one person saying:
Keep this one.
Barbara Mandrell Retired From Music at 18 — One Night at the Grand Ole Opry Changed Her Mind
Long before Barbara Mandrell became one of the biggest stars in country music, she had already decided her music career was over.
She was only 18.
That decision sounds almost impossible in hindsight.
Because Barbara Mandrell had been preparing for the stage practically since childhood.
Born in Houston on Christmas Day in 1948, she learned accordion and how to read music before entering first grade. After her family moved to California, she began studying steel guitar at about ten years old while also learning saxophone at school.
Then someone important noticed her.
Country guitarist Joe Maphis saw the young Mandrell performing at a music trade convention in 1960.
He was impressed enough to bring her into his Las Vegas act.
Barbara was still a child, yet she was already sharing a musical world populated by professional country performers.
Before long, she appeared on the Los Angeles television program Town Hall Party and joined a national package tour headlined by Johnny Cash.
By 14, she was performing with her family band at military bases in the United States and Asia. Country Music Hall of Fame and Museum
It looked as though music had already chosen her.
Then Barbara walked away.
She had fallen in love with Ken Dudney, the drummer in the Mandrell family band.
Dudney eventually joined the Navy and trained as a pilot.
The couple married in 1967.
Barbara decided that was enough.
At 18, she retired from music.
For someone who had spent much of her childhood performing, it was an extraordinary choice.
But the retirement did not last.
When Dudney was away with the Navy, Barbara visited her family in Tennessee.
One evening, she attended a taping of The Porter Wagoner Show before the Grand Ole Opry.
As Barbara watched the performers, something came back.
She leaned toward her father, Irby Mandrell.
She told him she could do what she was watching onstage.
More importantly, she wanted to do it again.
She asked whether he would manage her.
Her father believed in her.
The decision made that night changed everything. Country Music Hall of Fame and Museum
Barbara soon signed with Columbia Records.
In 1969, she entered the Billboard country chart with her version of Otis Redding’s “I’ve Been Loving You Too Long.”
More hits followed.
By 1972, she had joined the Grand Ole Opry — the same institution connected to the night that helped convince her to return.
Then the career accelerated.
“Sleeping Single in a Double Bed” reached No. 1.
Her version of “If Loving You Is Wrong (I Don’t Want to Be Right)” also topped the country chart.
But Mandrell was becoming more than a recording artist.
She could sing.
She could dance.
She could play multiple instruments.
And onstage, she could move between traditional country, pop, soul, gospel, and show-business spectacle without losing her identity.
By the beginning of the 1980s, Barbara Mandrell was everywhere.
From 1980 to 1982, she starred with her sisters Louise and Irlene on NBC’s Barbara Mandrell and the Mandrell Sisters, bringing country music into millions of American homes every week.
And the industry recognized what was happening.
The Country Music Association named Mandrell Entertainer of the Year in 1980.
Then she won again in 1981.
She became the first artist in CMA history to win the award in consecutive years. Country Music Hall of Fame and Museum
That same period produced the song that would become inseparable from her name.
“I Was Country When Country Wasn’t Cool.”
The song looked back at a time when openly loving country music was not always fashionable.
Then country culture exploded into the American mainstream.
George Jones appeared on the recording, and the song became another No. 1 country hit for Mandrell
The title almost seemed to describe Barbara herself.
She had been playing steel guitar as a child long before television superstardom.
She had toured before she was old enough to drive.
She had quit.
She had started again.
And she had reached the top.
Her life would still bring serious challenges.
In 1984, a devastating automobile accident left Mandrell with multiple injuries and required a long recovery.
Yet she returned again, continuing to record, tour, and act before eventually retiring from performing in 1997. Country Music Hall of Fame and Museum
In 2009, Barbara Mandrell was inducted into the Country Music Hall of Fame.
It was a remarkable ending to a story that could easily have stopped decades earlier.
At 18, Barbara Mandrell thought she was finished with music.
Then she sat in an audience in Nashville and watched other performers doing what she had once done.
Something inside her changed.
She told her father she wanted another chance.
He believed her.
And the young woman who had retired before her career truly began eventually became one of country music’s defining entertainers.
