John Denver and Cass Elliot live duet on Leaving on a Jet Plane (1972)
John Denver. Cass Elliot. Two of the all-time greats of folk music. Get ready for goosebumps listening to the late legends’ live duet on John’s classic “Leaving on a Jet Plane.” As a top commenter said, “The harmonies are just crushingly beautiful.” This has to be one of the greatest vocal duos ever right here. And hearing John and Cass sing together with John’s masterful acoustic guitar playing for accompaniment is exactly how we love to hear them.
John and Cass sang “Leaving on a Jet Plane” on Burt Sugarman’s Midnight Special, with the segment originally airing on August 19, 1972. You really had to have some deep talent to make it back in those days. John and Cass sing absolutely flawlessly, both solo and in harmony, even though they only had a single live take to nail the parts. And the way their voices blend together touches something in the soul. The Music Man has to say we could listen to these two icons singing together all day!
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John’s official YouTube channel’s upload of the duet hit 12.6 million views. Fans loved the throwback performance, and added comments such as “No Auto-Tune, no computer-generated anything. Just raw, clean musicianship and beautiful harmonies. Thanks John and Cass.” and “At nearly 65 years old, this song still gives me chills and brings tears to my eyes… RIP John and Cass.”
John’s live performances always hit the mark. His 1972 live solo performance of “Leaving on a Jet Plane” is the perfect showcase for his gorgeous voice. You can tell he was shooting straight from the heart when he wrote this song, and it comes through so beautifully every time he performs it live. We also have to give it up for John’s deft 12-string acoustic guitar playing – he really had it all as a musician.
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John Denver wrote “Leaving on a Jet Plane” and first recorded it in 1966 for his first demo, John Denver Sings. The New Mexico star re-recorded the song for his first studio album, Rhymes & Reasons, and issued it as the second single from the release. The Music Man readers might be interested to hear the curious fact that “Leaving on a Jet Plane” failed to chart. Despite this, over the years it became one of John’s most popular songs and a certified folk classic. On BBC Radio, John said “Leaving on a Jet Plane” is “a very personal and very special song for me” and said it conjures up “the simple scenes of leaving… someone that you care for very much” to head on the road.
2 minutes readBarbara Mandrell Retired From Music at 18 — One Night at the Grand Ole Opry Changed Her Mind
Long before Barbara Mandrell became one of the biggest stars in country music, she had already decided her music career was over.
She was only 18.
That decision sounds almost impossible in hindsight.
Because Barbara Mandrell had been preparing for the stage practically since childhood.
Born in Houston on Christmas Day in 1948, she learned accordion and how to read music before entering first grade. After her family moved to California, she began studying steel guitar at about ten years old while also learning saxophone at school.
Then someone important noticed her.
Country guitarist Joe Maphis saw the young Mandrell performing at a music trade convention in 1960.
He was impressed enough to bring her into his Las Vegas act.
Barbara was still a child, yet she was already sharing a musical world populated by professional country performers.
Before long, she appeared on the Los Angeles television program Town Hall Party and joined a national package tour headlined by Johnny Cash.
By 14, she was performing with her family band at military bases in the United States and Asia. Country Music Hall of Fame and Museum
It looked as though music had already chosen her.
Then Barbara walked away.
She had fallen in love with Ken Dudney, the drummer in the Mandrell family band.
Dudney eventually joined the Navy and trained as a pilot.
The couple married in 1967.
Barbara decided that was enough.
At 18, she retired from music.
For someone who had spent much of her childhood performing, it was an extraordinary choice.
But the retirement did not last.
When Dudney was away with the Navy, Barbara visited her family in Tennessee.
One evening, she attended a taping of The Porter Wagoner Show before the Grand Ole Opry.
As Barbara watched the performers, something came back.
She leaned toward her father, Irby Mandrell.
She told him she could do what she was watching onstage.
More importantly, she wanted to do it again.
She asked whether he would manage her.
Her father believed in her.
The decision made that night changed everything. Country Music Hall of Fame and Museum
Barbara soon signed with Columbia Records.
In 1969, she entered the Billboard country chart with her version of Otis Redding’s “I’ve Been Loving You Too Long.”
More hits followed.
By 1972, she had joined the Grand Ole Opry — the same institution connected to the night that helped convince her to return.
Then the career accelerated.
“Sleeping Single in a Double Bed” reached No. 1.
Her version of “If Loving You Is Wrong (I Don’t Want to Be Right)” also topped the country chart.
But Mandrell was becoming more than a recording artist.
She could sing.
She could dance.
She could play multiple instruments.
And onstage, she could move between traditional country, pop, soul, gospel, and show-business spectacle without losing her identity.
By the beginning of the 1980s, Barbara Mandrell was everywhere.
From 1980 to 1982, she starred with her sisters Louise and Irlene on NBC’s Barbara Mandrell and the Mandrell Sisters, bringing country music into millions of American homes every week.
And the industry recognized what was happening.
The Country Music Association named Mandrell Entertainer of the Year in 1980.
Then she won again in 1981.
She became the first artist in CMA history to win the award in consecutive years. Country Music Hall of Fame and Museum
That same period produced the song that would become inseparable from her name.
“I Was Country When Country Wasn’t Cool.”
The song looked back at a time when openly loving country music was not always fashionable.
Then country culture exploded into the American mainstream.
George Jones appeared on the recording, and the song became another No. 1 country hit for Mandrell
The title almost seemed to describe Barbara herself.
She had been playing steel guitar as a child long before television superstardom.
She had toured before she was old enough to drive.
She had quit.
She had started again.
And she had reached the top.
Her life would still bring serious challenges.
In 1984, a devastating automobile accident left Mandrell with multiple injuries and required a long recovery.
Yet she returned again, continuing to record, tour, and act before eventually retiring from performing in 1997. Country Music Hall of Fame and Museum
In 2009, Barbara Mandrell was inducted into the Country Music Hall of Fame.
It was a remarkable ending to a story that could easily have stopped decades earlier.
At 18, Barbara Mandrell thought she was finished with music.
Then she sat in an audience in Nashville and watched other performers doing what she had once done.
Something inside her changed.
She told her father she wanted another chance.
He believed her.
And the young woman who had retired before her career truly began eventually became one of country music’s defining entertainers.
